In the late 70s a band of young dedicated musicians charted new territory in Country Rock.  A sound that will be long remembered and imitated, ROSEWOOD was truely ahead of thier time.
As Country music went through an evolutionary change in the 90s we find that ROSEWOOD'S flaw was to not envision the change and wait for time to catch up.

Wes Homner's unique guitar styling and Scott White's driving harmonica will always be remembered as spearheading the powerhouse rhythm set down by basest Tom Marino and the metronomic precision of drummer, Charles Lombardo.
Adding to all this was the most notable high vocal and guitar treatment given by the talented Gary Douds. 
This truely is a vintage experience and we are happy to share it with you on compact disk.

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From the time I was old enough to twist the knob on the  old parlor radio  I was exposed to some of the best music in the world.  Although raised in a home which viewed all music other than Gospel the invention of the devil, I never really believed that .  What I heard coming out of those electro-magnetics was something very spiritual which actually had it's birth in the Church.

There was Hank Williams, Bill  Monroe, The Lovins, and The Stanley Bros. singing "unplugged"  white blues which moved my soul with just as much power as any Southern Baptist evangelist.
  While these Hillbilly artists were somewhat tolerable in our home, there was another sound which caught my young ear- strictly "taboo", but purely electrifying!  Lonnie Mack, Chuck Berry, James Burton, Carl Perkins & Steve Cropper had this kind of twangy soul feel which blasted through my pillow speaker right to my heart.
   
There were times when the sun spot activity was just right and I could go to sleep listening to Wayne Rainey and his talking harmonica on WCKY, Cincinnati "1" Ohio, and wake up in the middle of the night to "Big John" playing the blues on WLAC in Nashville.  Somehow all that Hillbilly and Blues got mixed up in my head, leaving me to this day, what others might think, a little musically confused.
I would like to say that Bluegrass is my first love, but there are times I am not sure.  What I am sure of,  is  my love with that spiritual thread which runs through all "heartfelt" music.  That emotional element which cannot be contrived or cloned.  It must be conceived in glorious revival bliss.  I believe the same God which gave Bill Monroe the first four notes to "Rawhide", also gave Chuck Berry his introduction to "Johnny B. Goode".
No, I am not confused.  It just confuses me why others can't feel what I feel.  There really are only two kinds of music in the world;  that which moves your soul and that which doesn't.

If you need some soul stirring, there are no better machines to get the job done.  There's just something about the sound of "Twang". Whether it is played on Banjo, Electric Guitar or Dobro, that thread of musical spirit will wrap you in finger pickin' soul, if you let it.

JESUS DIED FOR YOU
THE DEVIL'S IN THE BOTTLE
LIVING A LIE
BANGED UP JOB
MAMA CAN'T HELP
ODE TO DAVIE
MY OLD MAN
STILL PICKIN' ON THE LES
LONESTAR STATE OF MIND
GET AWAY FROM ME SATAN

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